Neil Danton

So, 3rd in the series and this one features a business. What’s more, much to my delight it involves beer!

There’s music if you’re maybe at work and not really supposed to be reading this just at the moment, and it’s in monochrome. Yes, really it is. Don’t be fooled by the start, or.. er, the end. Worth waiting for the end though, makes me laugh every time, and I know what’s coming.

Permalink to the Day In The Life Of: Dungarvan Brewing Company on my website.

I’ve always enjoyed telling stories. Years ago Decades ago Eons ago, when I was at school, they were often called lies though. “Please Miss, I did my homework but the cat ate it”. Didn’t have a dog, but the creative lying didn’t extend to inventing one. There were also non-lie stories, essays and such like which I really enjoyed, but telling a story with a camera is a different kettle of fish all together.

As I said when I started the idea of Day In The Life Of back at the beginning of the year, sometimes there’s a story to tell that has to be summarised in a single image as best as possible because if it’s an editorial assignment, one image is probably all that will be used. If it’s a magazine spread it might develop to 6 – 10 images which allows more flexibility, but even that can’t always show the whole story.

With Day In The Life Of there is pretty much an unlimited amount of images I can create to tell a story. The two DITLOs I have posted so far are a story, but also a collection of single images. This one though (I hope) is a complete process, that walks the viewer through from raw material to a very interesting form of re-cycling!

The Dungarvan Brewing Company is Ireland’s latest micro-brewery located in lovely Dungarvan in Co Waterford, which I think is a fabulous place (I think Cork should annex it). They make a range of bottle-conditioned craft beers, primarily Black Rock Irish Stout, Copper Coast Red Ale and Helvick Gold Blonde Ale (all the bases covered there then), but they also make “specials” for different seasonal or festival times.

When I first approached Jen their Marketing Director about telling their story she was very helpful and everyone was a joy to be around on the shoot. Unlike an Editorial or Commercial shoot, there are no set-up or staged images in this story. Everything was shot as it happened (OK, I think that twice I actually said, “hold that a second” or something similar), but for the most part I just tried to not get in the way too much! Having spent so many previous years shooting sport, if I can’t catch a bit of action by now I ought to give up.

On the techie side: the only time I used some lighting was the modelling light from a Ranger Quadra, which isn’t very powerful, but just helped enough with the images in the fermentation room. For everything else, no big lights, no flash, so some images were shot at 1600 or even 3200 ISO, which shows as a bit of “noise” in a few frames. I can live with that for a documentary.

Many thanks to the Dungarvan Brew crew of Jen & Claire, Tom & Cormac for letting me tell their story.

I sense they are going to get bigger as word, and their product, gets around.

TTFN

Fortunately, we both managed to avoid a soaking, although I came pretty close to it.

A second look at the back-story to creating a fairly simple editorial image. Nothing remarkable in the image as such, pretty standard fare for an editorial feature in a sunday newspaper. Fairly shallow depth of field to focus on the “widget” (yep did the reverse image as well, with the subject in focus and the “widget” out of focus).

It’s the setting-up that I’m detailing…

The subject is an engineer and the “widget” is part of a system that assists visually impaired people with swimming. Anyway, the sunday newspaper in question really wanted a image taken in a swimming pool environment and a local leisure centre were happy to oblige us – but we could only have access before they opened for the day (no cameras or phones allowed in swimming pool areas nowadays).

OK fine then. “What time are you open to the public?”

“7am”

“and what time do the staff open-up?”

“06:30/06:40″

Now that in itself wouldn’t be a problem, nice early start, get shoot done, off for breakfast.

One small fly in the ointment – having experienced shooting swimming competitions, I know that generally it takes AT LEAST an hour, sometimes longer, for all the metal, glass and electronics in a camera to adjust to the very high humidity in an indoor pool area.

So three conditions then. Opening time (fixed), kicking us out time (fixed), camera equipment fogging up (hmmm, maybe a variable there).

I had to make a choice on equipment at 6am and stick to that choice. The gear was put into the passenger foot-well of the vehicle and I drove to the pool with the vehicle heater on full blast. Happened to be in a period of fairly warm & humid weather which rarely happens here. Brilliant, I’m wearing shorts & a t-shirt and the heater thinks it’s mid-winter.

Arrived at the pool, almost fell out of the vehicle which, even with the windows open, was like being in a greenhouse by then, left the heater on until the moment we gained access at 06:40, and then carried the gear inside wrapped in a fleece!

The pool area was fairly hot, but the actual pool is covered with a canvas overnight so the humidity wasn’t over-bearing. By the time the canvas had been reeled in we were set to go, 5 or 6 images and we were done, just as I could feel the humidity starting to rise from the water.

No fogging on camera or lens, and exited the leisure centre at 06:59

Above is my preferred image, but the paper used this one:

Think that’s the earliest I’ve done a shoot, done post-processing, transmitted to picture desk, had breakfast, and all by 8am!

TTFN

A couple of editorial portraits coming up on the blog this week, just to show a little of the back-story behind a seemingly simple portrait.

Some of the requests you get have your brain going around in circles. This portrait for a sunday newspaper was of a lady writing a thesis on mental health and the differences in how it relates to men & women.

Them: “We need something that depicts that ideally”

Me: “Oh OK (WTF?). Sure (WTF?). I’ll see what I can figure out (what the, what the, WTF?)”

Simple then. An image of something that’s not solid, or tangible or quantifiable.

I arranged with my subject that the best time for me to do the shoot was during the coffee-break at the conference she was at.

I had an hour to get there, set-up and dream up an image.

I took a couple of straight portraits as back-up (the safety shots) and then commissioned a couple of conference delegates for the background of just about the only thing I could dream up:

Not too sure what else I could have done! What do you think?

TTFN

Second in the DITLO series features a Day In The Life Of: Carrigtwohill Medieval Festival & Country Fair.

Permalink to the Day In The Life Of: Carrigtwohill Medieval Festival & Country Fair Gallery on my website.

Really enjoyed shooting this. Just struck lucky with the weather on the day. Wasn’t quite so lucky when I arrived at the location, went to pull out a rucksack I’d prepared with the gear for the day, containing 2 x EOS-ID MkIIN’s, a 16-35mm and a 70-200mm and realised that there it was.. No not there in the motor, THERE, at home by the door. I’d chosen that combination of gear so I wouldn’t have to be changing lenses all day. Fortunately I had enough other equipment with me to get by.

If I only had a brain…

TTFN

Shot the launch pics for a charity cycle a while back. It’s always a bit of brain-strain trying to think up something different for those. We’ve all seen the “people looking through the wheel shot”, I’ve done it myself, so I thought up something different this time:

Expect to see a rake of copies of that idea appearing in local media over the next few months.

Big-ups to Cork Hurling & Gaelic Football dual-player Eoin Cadogan for generously giving up his time to help out (and go along with a few mad ideas); and to Audrey & Katharine for helping out.

TTFN

Here we go then with the first of what will become a series, Day In The Life Of: Midleton Tattoo Show.

A note of caution: There is a soundtrack, just in case you are messing around wasting time doing “valuable research” on the internet at work.

Here’s a permalink to the Day In The Life Of: Tattoo Show Gallery on my website. Fewer images but much larger, and depending on your screen resolution, higher quality. Even when viewing the video in HD there is a bit of quality loss.

If you like photography slideshows you can subscribe to my YouTube channel. I say channel, there’s a grand total of er, one video there at the moment (plus one hidden one!), but if you subscribe you’ll be notified when any new content is published. Apart from DITLO there might be some other things in the pipeline…

Of course, to stay up-to-date with the latest Demented Ramblings here on the blog, you can subscribe to the RSS feed or if you prefer Facebook to get your new notifications, “Like” my page where all the blog updates appear as well.

Oh, and don’t forget to say something from time-to-time. It gets kinda lonely locked up here inside your computer, so the occasional comment either here or on FB would be appreciated. If you could slacken-off the chains on this ridiculous white jacket as well… Makes it difficult to type with my arms behind my back.

TTFN

Shot the launch pics for the Midleton Food Festival recently at the local Farmer’s Market.

Always trying to think up something different. Just sayin’.

TTFN

Recently shot the launch images for the Carrigtwohill Medieval Festival & Country Fair which takes place next week-end, the 3rd & 4th July.

The event takes place in the surroundings of the historic 15th century Barryscourt Castle just off the main Cork to Midleton road with Medieval jousting, falconry, WW2 battle re-enactments, archers, dancers, FOOD (lots of food) including pig on a spit, and lots of other things going on.

This is falcon handler & trainer Vincent Cashman who will be giving falconry demonstrations, photographed with a Lanner Falcon.

TTFN

I’ve photographed some famous people, some unknown people, some Very Important People, both those who really are VIP and a few who are only legends in their own minds. I’ve photographed royalty, presidents, Taoisigh (Prime Ministers of Ireland) and lots and lots of common-or-garden people just like me.

Recently was the first time I can ever remember that I was nervous about photographing my subject.

It didn’t help that I only had half an hour notice as he just happened to be in Cork City at a meeting regarding his up-coming exhibition and I had to squeeze in this shoot before the other two I had that day. Then the classic three drops of rain and the traffic comes to a standstill in the city factor, meant I was 20 minutes late for the appointment before I even started, and I’m NEVER late usually.

Whether he was actually in the slightest bit bothered I’ll never know, but he certainly didn’t seem at all concerned and after an all too short chat (about 4 hours too short as far as I was concerned) I knocked-out a couple of quick portraits in the (very short) time I had available.

My subject was music photographer Fin Costello.

You might not know the name, but I’m sure you’d know some of his images. He’s been a photographer since the late 60s and shot The Stones, Kiss, Pete Townsend, Cat Stevens, Peter Gabriel, Robert Plant, Phil Lynott and many others. His portfolio is like a who’s who of the music industry.

The shoot was for a magazine supplement in a Sunday newspaper but it was much too early to have his exhibition images at the shoot, so much as I’d have liked him with some of his work, it wasn’t to be:

A brilliant photographer but just as importantly (maybe more so), a true gentleman.

His Pictures in Rock exhibition will be at the Cork Vision Centre from 2nd June – 28th July. I haven’t seen the exhibits but it’s highly recommended anyway!

TTFN

You won’t find me, because I’m not there anymore.

I was in a wood (well a copse really) recently for a commercial shoot for a client and just thought I’d post one image as it was interesting to set-up.

The client works with forestry authorities and the timber industry to maximise the production from trees, using lasers to forecast the best yield and cutting method.

The set-up was to create an image with living trees, cut wood and a laser and the tricky bit was to light up a small area of wood which was pretty gloomy.

I used an Elinchrom Ranger Quadra as the main light (nice and handy, as the nearest power supply was about 3km away), which lit up the front part of the image nicely, but the trees in the background were in deep shadow. Hidden behind the two outside trees in the image then are 2 580EX flashes fired with Pocket Wizards. The flashes are laying on the ground, with highly sophisticated direction pointing aids (sometimes known as twigs) and lighting up the trees at the back:

TTFN